Amnesty.

Role Overview


Role:
Graphic Designer (Editorial)
Focus: Layout design, typography, visual structure
Context: Academic collaboration with Amnesty International (KSA)


Overview:
Signs of Hope is an editorial publication produced in partnership with Amnesty International and Kingston School of Art, documenting student-designed interactive installations addressing global social, ecological, and political issues.


The Challenge:
The publication needed to translate diverse, three-dimensional installations into a cohesive printed format without flattening their individuality or emotional impact. The challenge was to balance consistency with sensitivity, while aligning with Amnesty’s activist ethos.


Concept & Approach:
The editorial approach prioritised clarity, restraint, and respect for content. Swiss editorial principles informed the underlying structure, allowing the design to support a wide range of tones and narratives without competing with the work itself.


Process:
Working collaboratively with designers Jack Li and Nicolai Engberg Røscher, I contributed to layout design and typographic development. A modular grid system was developed to accommodate large-scale imagery alongside focused text passages, with pacing and hierarchy carefully adjusted to guide the reader through varied themes.


Outcome:
The final publication presents student work with clarity and care, demonstrating how considered editorial design can support activist storytelling through structure, restraint, and visual coherence.

Publication covers
Alternative cover explorations from the editorial series.

Publication covers
Alternative cover explorations from the editorial series.

Table of contents
Editorial structure and typographic hierarchy.

Table of contents
Editorial structure and typographic hierarchy.

“Your Life in a Jacket”
Feature spread documenting student installation work.

“Your Life in a Jacket”
Feature spread documenting student installation work.

“Prageeth”
Editorial spread translating three-dimensional installation into print.

“Prageeth”
Editorial spread translating three-dimensional installation into print.

“Nazanin”
Editorial layout exploring pacing, imagery, and narrative balance.

“Nazanin”
Editorial layout exploring pacing, imagery, and narrative balance.